Sometime last year, maybe longer, I don't remember exactly, when I was still somewhat active in the SCA email lists and such, a call was put out for people to help make lanyards for the then ruling King and Queen of Atlantia.

The then Queen had requested that they be made in a 'period' style, which meant Japanese braiding, aka
Kumihimo. I requested a kit, as that has long been something I've wanted to learn and figured this would be the perfect time.
Well, time got away from me, and while I did receive the kit, I never got the chance to learn how to do it and send back the lanyards.
A friend and fellow beadweaver,
Carol Dean Sharpe of
Sand Fibers, has often included Kumihimo and other fiber braiding in her gorgeous beadworks. I've long admired her gorgeous creations, such as this one-
'The Savannah'.
I have to admit, she was really the entire reason I finally got off my butt and learned how to do this. She's inspiring, really, in beadwork, in quilting, in fiber art in general. So be sure to go check out her blog.}:)

Now, what I'm using is a
simple foam wheel, numbered and notched. Something you'd teach a kid to do kumihimo on, I believe. But it works, and it makes learning so very easy. So easy, that I'm wondering why it took me so long to learn this.

The kit I was sent came with a few paper floss bobbins. I had to raid my stash for a few more. They work, and they work reasonably well for all intents and purposes. I have learned really quickly why Carol Dean was so happy the day she mentioned on Facebook about getting some 'EZ bobs' for her kumihimo. The paper bobbins weaken easily, and the threads unroll, tangle and get annoying after while.
While I think the EZ bobs would definitely be a vast improvement over the paper bobbins, what I REALLY want is the real wood
'Tama' or bobbins. Along those same lines, instead of the foam wheel, I want a real wood
'Marudai', or the loom as it were. Given how much they cost, that's going to be awhile down the road.

They also make and sell,
counterweight bags too. But I figured that was something I could really adapt and create on my own. Which I did, using a small decorative bag and a few of the brass beads my dad gave me several years ago. The drawstring on the bag makes it easy to adjust the weight of the beads, which creates the tension in the braid as you create it.

To attach the end of the braid to it, I used a swivel head from my kite flying stuffs. Yes, it's also used in fishing. Hey, adapt and overcome, yes? It works, because I can unclip and clip the loop to the braid as I finish or start a new one. And it swings freely.

And I learned, tension is key. Too much, the braid gets pulled out of shape, the pattern becomes stretched and not very attractive. Too little and it's too lose, and again, not very attractive.
In my first attempt, I overcompensated in the tension. IE, I had to much weight in the bag. So while I WAS creating a kumihimo 8 strand braid, it didn't look right because it was being pulled too tightly, causing the spiral pattern to stretch and not look right. I removed half the beads from the bag, tied off that braid and started again.

10 minutes later, I knew I'd found the perfect tension for this size of string-floss, really- as the pattern became very evident and simply gorgeous to me. 12 brass beads in the bag. Perfect for this size braid. An hour later I had nearly a foot of perfect kumihimo braid and I was happy.

The problem with learning something new like this, is now I want to learn other types of braids. And I don't want to stop. I'll never be as expert at it as the real Kumihimo Japanese masters or Carol Dean, but, hey, it looks great, don't you think? }:P I think it'd be great in ArtQuilts or maybe create some beaded kumihimo for others to use in their beadwork and artquilts...
